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Miccing a Musical

In musical theatre, it's often the case that every instrument needs to be micced to ensure the mix sounds accurate to the original music. This is a guide of which mics to use for which instruments.

MicWhen to useDoes TC own?Notes
Radio MicsPrinciple cast / Singing volumeYes - 16* (*on a good day)RMs are expensive but can be used on secondary/ensemble cast if budget allows.
AKG PCC160 (With foam)Ensemble cast / Talking volumeNoBoundary mic that has a very high pickup. 2-3 can cover the entire WAC theatre. Comes with a small piece of foam that it should be placed on to avoid picking up shoe sounds. Has an arrow on the bottom to show where sound is picked up.
AKG PCC160 (Without foam)Tap dancingNoAs above for ensemble. Don’t use the foam if you want shoe sounds to be picked up.
Mono DI (the Ultra-G GI100 TC own is bad)Any instrument with a DI (normally Jack)Yes - 2 good, 1 badElectric guitar amps normally have a phones out that can be used for a DI. This is useful in a small space like Avon where you would want to mute the amp and control all monitoring from the sound desk.
Stereo DIFor instruments with L-R DI (mostly keyboards)Yes - 1One of the jack outs on the MTW keyboard has a lot of static noise so use mono for this.
SM58/MB85/e835s/D880sGeneric (wired) vocal micYes - 2 SM58s, 2 MB85s, 1 e835s, 1 D880sMB85s are the off-brand equivalent of SM58s that TC own.
SM57/MB75Generic instrument mic - can be used on most instruments to good successYes - 5 MB75sMB75s are the off-brand equivalent of SM57s that TC own. They are basically the same quality for ~¼ the price.
RE20Alto SaxophoneNoAlso suitable for Soprano or Tenor
M88Baritone SaxophoneNoAlso suitable for Tenor or Bass. M88s look like vocal mics but are suitable for saxophones
MD421TromboneNoTrombones are really loud before miccing.
Beta 52ADrum KickYes - 1TC owns one with a stand that fits into kicks very well.
SE300/P170StringsYes - 1 P170
SE300/SC140OverheadsYes - 2 SC140sTC own a pair of SC140s that work well for drum kit overheads.